AHORA. Santiago, Chile. 2025-2026
Selected Works 2007–2022 Solo Exhibition · Museo de Arte Contemporáneo (MAC), Universidad de Chile · Santiago A survey of land art, performance and audiovisual works developed across Chile’s most extreme territories — from Antarcticbases and Patagonian channels to the Atacama Desert, Puerto Williams and the lakes of southern Chile. Across fifteen years of situated practice, […]
Olvido. Santiago, Chile. 2021-2022.
Solo exhibition presented at the National Center for Contemporary Art Cerrillos. Intervention developed from the text “SOMETIMES I FORGET I AM HERE”, using an installation of 150 natural grass tiles as the central element of the work. The piece incorporated a gradual irrigation protocol that allowed the grass to transition from an intensely green state […]
Every travel is a travel. Moscú * San Petersburgo* Omsk. Rusia. 2021
Video recording of the Trans-Siberian railway route between Saint Petersburg, Moscow, Omsk, and Moscow. Filmed in 2018 and edited in Santiago de Chile during the COVID-19 pandemic. Duration: 4 min 49 sec. Registro en video del recorrido del tren Transiberiano entre San Petersburgo, Moscú, Omsk y Moscú. Grabada en 2018 y editada en Santiago […]
DE CORPO PRESENTE. Sao Paulo, Brasil. 2021
Collective exhibition «Por um soplo de furia y esperanza: Una declaración de emergencia climática», MuBE — Museu Brasileiro de Escultura e Ecologia.Performance based on the text É TARDE MAS AINDA TEMOS TEMPO (It is late, but we still have time) in collaboration with artist Ana Teixeira (BR). Curated by Galciani Neves and Natalie Unterstell. Exibición […]
To Move. Tinquilco, Chile. 2020
The action was carried out in the context of the COVID 19 pandemic, during the first period of governmental authorization granted to people to travel between regions. The trip considered the journey from the central zone (Santiago) to the south of the country (Pucón), covering almost 800 kms. In the new place of settlement, the […]
Formato de Texto. Santiago, Chile. 2019
Group exhibition Sensitive Matter. CABO Residency, IF Blanco.Writing intervention using black PVC (“It remains a good”) and copper slag (“BUSINESS”). Variable dimensions. Exposición colectiva Materia Sensible. CABO Residencia. IF Blanco. Escritura utilizando PVC negro (“Continúa siendo un buen”) y escoria de cobre (“NEGOCIO”). Dimensiones, variables
Tiempo. White Sands Monument, EEUU. 2016-2019
Group exhibition Luxelakes “60 Days Lockdown”, A4 Art Museum, Chengdu, China. Action of persistent displacement over a desert of sand, based on a repetitive gesture of movement that transforms the surface into a field of trace and erasure. Edited in the context of the COVID-19 pandemic in Santiago de Chile. Duration: 3´5´´. Curator, Cai Liyuan […]
I MISS YOU. Utah, E.E.U.U. 2016-2017
Chaco Canyon (New Mexico), Great Salt Lake (Utah), and Deming (New Mexico), United States. Performance involving persistent movement and walking by the artist across desert landscapes, using modified footwear, while narrating the history of deaths within her family. Video performance. Duration: 2 min 40 sec. Program: “Land Arts of the American West” https://landarts.org/ Cañón […]
El Paso. Texas y New Mexico, E.E.U.U. 2016-2017
Performance. Montañas Chiricahua (Arizona) y El Paso (Texas). Action reenacting the protocol used by the United States Border Patrol in the territory, which consists of tying truck tires to the rear of their vehicles and dragging them along dirt roads in order to flatten the terrain, making it easier to detect traces […]
CAER. New Mexico, E.E.U.U., 2016-2017
Gila National Forest, Mimbres River, New Mexico. Intervention and video performance consisting of the construction of a circle and the writing of a text using pine seeds. At the end, the artist rolls over the inscribed word, progressively erasing its form. Variable dimensions. Duration, 2´56´´ Program: “Land Arts of the American West”https://landarts.org/ Bosque Nacional […]