AHORA. Chile, 2025-2026
Exhibition of land art works created between 2007–2022 Camouflage. 2012. Photographic documentation of a performance carried out at the Chilean Base Presidente Gabriel González Videla, Paradise Bay, Danco Island, Antarctica. Print on paper.99 × 67 cm. Investigaciones en Torno al Viento: Tinquilco 2021. Photographic documentation of a performance carried out at Lake Tinquilco, Huerquehue National […]
Olvido. Chile, 2021-2022.
Intervention based on the text: “A VECES OLVIDO QUE ESTOY AQUI” «Sometimes I forget that I am here», installation of 150 palmettes of natural grass. Measurements, 2.30 meters high x 81 meters long. Duration, 120 days. Solo exhibition. Cerrillos National Center of Contemporary Art. Santiago, Chile. 2021-2022. Curator, Soledad Novoa Donoso. Intervención a partir del […]
Every travel is a travel. Rusia / Chile, 2021.
EVERY TRAVEL IS A TRAVEL. Video recording of the trans-Siberian train route between St. Petersburg – Moscow – Omsk – Moscow. Duration 4′ 9». International collective exhibition on line. Ars Electronica x art. Domains. Linz, Austria. Edited in the context of the COVID-19 pandemic. Santiago, Chile. EVERY TRAVEL IS A […]
DE CORPO PRESENTE. Brasil, 2021.
Performance in collaboration with the artist Ana Teixeira (Brazil), in the exhibition «For a breath of fury and hope: A declaration of climate emergency», MuBE – Brazilian Museum of Sculpture and Ecology. Sao Paulo. Brazil. 2021. Curated by Galciani Neves and Natalie Unterstell. Performance en colaboración con la artista Ana Teixeira (Brasil), en la […]
Tiempo. Chengdu, China. 2020
Video performance. White Sands National park (Nuevo Mexico, E.E.U.U.). Duración 3´ 5´´. Exhibición colectiva internacional on line “60 Days Lockdown”. Luxelakes • A4 Art Museum. Chengdu. Editado en el contexto de la pandemia COVID-19. Santiago, Chile. Curadora, Cai Liyuan. Video performance. White […]
To Move. Chile, 2020.
The action was carried out in the context of the COVID 19 pandemic, during the first period of governmental authorization granted to people to travel between regions. The trip considered the journey from the central zone (Santiago) to the south of the country (Pucón), covering almost 800 kms. In the new place of settlement, the […]
Formato de Texto, 2019
Site-specific installation.Text composition using black PVC (“Continúa siendo un buen” – It continues to be a good) and copper slag (“NEGOCIO” – business).Work created within the framework of the exhibition Materia Sensible, presented at CABO, IF Blanco, Recoleta, Chile, in 2019. Instalación site specificEscritura utilizando PVC negro (“Continúa siendo un buen”) y escoria de cobre […]
I MISS YOU. E.E.U.U., 2016-2017.
Video Performance. Duration, 2′ 40». Chaco Canyon (New Mexico), Great Salt Lake (Utah) and Deming (New Mexico). United States of América. 2016 – 2017. The action was carried out in the context of the Land Arts of the American West Program, Texas Tech University, United States of America, wich is directed by Chris Taylor since […]
El Paso. E.E.U.U., 2016-2017.
Video Performance made in different locations of police protection, regarding irregular migration. Duration, 5′ 42». Chiracahua Mountains (Arizona) and El Paso (Texas), United States of America. 2016-2017. EL PASO, arises from the observation of the protocol applied by the USA. Border Police in the territory. This consists of tying truck wheels to the back of […]
CAER. E.E.U.U., 2016-2017.
Intervention in the landscape and video performance made with materials found in the place. Variable measures. Duration, 2 ́ 56 ́ ́. Gila National Forest, Mimbres River, New Mexico. United States of America. 2016 – 2017. The action was carried out in the context of the Land Arts of the American West Program, Texas Tech […]