Milímetro a Milímetro. Antártica, 2012.
Landscape intervention and performance. Installation of the text: «MILLIMETER BY MILLIMETER» . Snow line 60 meters long x 0.30 meters wide. Duration, variable. Isabel Riquelme Islet. Chilean Base General Bernardo O’higgins, Antarctica. 2012. The action was carried out in the context of the program «Terra Australis Incognita».https://www.elmostrador.cl/cultura/2016/07/07/la-muestra-silenciosa-donde-el-arte-contemporaneo-reflexiono-sobre-la-antartica/ Intervención de paisaje y performance. Instalación del […]
Estoy aquí. Chile, 2012.
Intervention carried out on the flight deck of the Chilean Navy Ship AP-41 Aquiles. Installation of the text: «I am here”. 100 meters of rope. Duration, variable. Austral Channels, Chile. 2012. The action was carried out in the context of the program «Terra Australis Incognita».https://www.elmostrador.cl/cultura/2016/07/07/la-muestra-silenciosa-donde-el-arte-contemporaneo-reflexiono-sobre-la-antartica/ Intervención realizada en la cubierta de vuelo del […]
Palavras da rua 3. Portugal, 2011.
Urban intervention based on the text: «It is between the border line and they don’t dare to say it». Cardboard stencil and white stones collected from the site. Measurements, 2 meters high x 16 meters long. Duration, variable. Festival «Mais Imaginarius». Santa Maria da Feira, Portugal. 2011. Intervención urbana a partir del texto: “Está entre […]
Palavras da rua 2. Portugal, 2011.
Urban intervention based on the text: “Are you sure?”. Cardboard stencil and white stones collected from the site. Measurements, 2 meters high x 12 meters long. Duration, variable. Festival «Mais Imaginarius». Santa Maria da Feira, Portugal. 2011. Intervención urbana a partir del texto: “¿Estás seguro?”. Stencil de cartón y piedras blancas recogidas del lugar. Medidas, […]
Palavras da rua 1. Portugal, 2011.
Urban intervention based on the text: «I am lost». Cardboard stencil and white stones collected from the site. Measurements, 2 meters high x 8 meters long. Duration, variable. Festival «Mais Imaginarius». Santa Maria da Feira, Portugal. 2011. Intervención urbana a partir del texto: “Estoy Perdido”. Stencil de cartón y piedras blancas recogidas del lugar. Medidas, […]
Lento ma non tropo. Austria, 2009.
Multimedia installation based on the quote by Francisco Varela (Chilean neurobiologist, philosopher and Buddhist meditator): “Death is a mirror, everything we see is the state of our mind”. Chapel of St. Ursula Copyright. «Excerpt(s) from the Film Trilogy about Francisco Varela by Franz Reichle». Made in the context of the residency organized by AIR – […]
Sehen. Austria, 2009.
Performance based on the texts: «AUGENSACHE» and «Problem of the eye». Kunsthalle of Krems and in public space. Size and duration, variable. Krems, Austria. 2009. In the context of the residency organized by AIR – ARTIST IN RESIDENCE, Austria and the Museo de Arte Contemporáneo, Chile. Performance basada en los textos: “AUGENSACHE” (Problema del […]
Sehen ist keine augensache. Austria, 2009.
Performance. Collective displacement along the city’s civic axis, with pauses at significant points, carried out by performers dressed in white T-shirts with black lettering, black trousers, and black shoes. Together, their bodies formed the text “Sehen ist keine augensache” (Seeing is not an eye problem) and its various permutations. Measurements and duration, variable. Performance. Desplazamiento […]
No sucedió nada. Chile, 2008.
Multimedia installation on the cornice of the place, based on the texts: «Nothing is / To be remembered»; and its interaction with a reading panaflex, based on the texts: «important / necessary / safe / difficult / enough». Size, 0.5 meters high x 4 meters long. Duration, 30 days. Individual exhibition. Metales Pesados Bookstore. Santiago, […]
Escritura en terreno II: Valdivia. Chile, 2008.
Urban intervention on the roof of the Valdivia river fair based on the text: «What does memory preserve?», measuring 3 meters high x 98 meters long, and video projection on the Pedro de Valdivia bridge of the answers given by the fair’s tenants to the question: What does it mean to you that memory is […]