Aeropuerto. New Mexico. E.E.U.U. 2016-2017
Video performance. Twin Buttes, New Mexico, United States. The site is located near White Sands Missile Range. In 1945, the first nuclear weapons test in the world was conducted in this area. Today, it remains the main testing ground in the United States for rockets, unmanned aerial vehicles, and missiles. Collection of stones from […]
MILIMETRO A MILIMETRO. Utah, E.E.U.U. 2016-2017
Landscape intervention. Antelope Island, Great Salt Lake, Utah. Writing of the text “MILLIMETER BY MILLIMETER” using a wooden stencil previously used in Antarctica (2012), repeating the same act of inscription in the territory. Dimensions, 60 x 0.30 m. Duration, variable. Program: Land Arts of the American West https://landarts.org/ Intervención en el paisaje. Antelope Island, […]
Paisaje chileno. Santiago, Chile. 2015
Group exhibition “Ciudad H”. Matucana 100 Cultural Center, Santiago, Chile. Intervention based on the text “I CAN’T STAND IT”, a reference to a work by artist Jenny Holzer exhibited in various cities. Installation of 130 natural grass tiles. Dimensions: 4.20 × 32 m. Duration: 15 hours. The work was created in the context of the […]
Esto era Presente. Santiago, Chile. 2014-2015
Group exhibition “Under Pressure”. Museum of Contemporary Art, Quinta Normal, Santiago, Chile. Multimedia installation based on the rearticulation of a quote by Francisco Varela (Chilean neurobiologist, philosopher, and Buddhist meditator): “Death is a mirror; everything we see is the state of our mind.” Dimensions: 5 × 11 m. Duration: 40 days. Reference: “Film Trilogy about […]
¿Cómo no perder la memoria?. Santiago, Chile. 2015
Group exhibition. Residency at Espacio CANCHA, Santiago, Chile. Urban intervention, video performance, and installation developed in collaboration with Carla Romero (actress and theatre director) and Jazmín Valdivia (psychologist), in the context of the 42nd anniversary of the coup d’état in Chile. The project unfolds through three interconnected operations. The first consists of projecting cracks onto […]
Investigaciones en torno al viento: Coliumo. Coliumo, Chile. 2015
Coliumo is located on a peninsula exposed to the Pacific Ocean, marked by wind, erosion, and sea mist. Its landscape combines cliffs, rocky shorelines, and small fishing communities. Casa Poli, designed by Pezo von Ellrichshausen, is situated on a seaside cliff and is defined by its monolithic concrete volume. In this site, the series “Investigations […]
Esquecimiento. Sao Paulo, Brasil. 2013
Group exhibition “Vai Vem”. Sesc Pinheiros. Installation based on the text “Às vezes esqueço que estou aqui” (“Sometimes I forget I am here”), using aluminum letters. Dimensions: 0.45 × 21 m. Duration: 30 days. Curators: Ana Teixeira, Lara Freiberg, Kika Nicolela, and Renata Padovan. Exhibición colectiva “Vai Vem”. Sesc Pinheiros. Instalación a partir del texto […]
Camuflaje. Bahia Paraíso. Antartica, 2012
Performance carried out using a trans-hypora polar fleece garment, mobilized by the action of the wind. Variable dimensions and duration. The action was developed within the framework of the “Terra Australis Incognita” program. Performance realizada con una vestidura de tela polar trans-hypora, movilizada por la acción del viento. Dimensiones y duración variables. La acción fue […]
Milímetro a Milímetro. Península Isabel Riquelme. Antártica. 2012
Landscape intervention and performance. Installation based on the text “MILLIMETER BY MILLIMETER”, using snow from the site. Dimensions: 60 × 0.30 m. Duration: variable. The action was carried out within the framework of the “Terra Australis Incognita” program. Intervención de paisaje y performance. Instalación a partir del texto MILIMETRO A MILIMETRO utilizando nieve del lugar. […]
Estoy aquí. Canales Australes, Chile. 2012.
Text intervention “I AM HERE” carried out on the flight deck of the Chilean Navy vessel AP-41 Aquiles, using 100 meters of Espiga rope, typically used for mooring the ship to land. Variable dimensions. Duration: 1 hour. The action was developed within the framework of the “Terra Australis Incognita” program. Intervención del texto ESTOY […]