Claudia Vásquez Gómez
visual artist

CAER. E.E.U.U., 2016-2017.

Intervention in the landscape and video performance made with materials found in the place. Variable measures. Duration, 2 ́ 56 ́ ́. Gila National Forest, Mimbres River, New Mexico. United States of America. 2016 – 2017. The action was carried out in the context of the Land Arts of the American West Program, Texas Tech […]

Aeropuerto. E.E.U.U., 2016-2017.

  Video performance made with materials found on site. The text tells the story of the artist’s childhood during the period of the civil-military dictatorship in Chile. Duration, 7′ 4». Twin Buttes, United States of America. 2016-2017. Twin Buttes is located in the vicinity of the White Sands Missile Range. The world’s first nuclear weapon […]

MILIMETRO A MILIMETRO. E.E.U.U., 2016-2017.

Intervention in the landscape and video performance. Installation of the text: «MILLIMETER TO MILLIMETER». Sand line 60 meters long x 0.30 meters wide. Duration, variable. Antelope Island, Great Salt Lake, Utah. United States of America. The action was carried out in the context of the program “Land Arts of the American West”, Texas Tech University. […]

Paisaje chileno. Chile, 2015.

Intervention based on the text: «I can’t stand it», a quote from a work by artist Jenny Holzer. Installation of 130 palmettes of natural grass. Average, 4.20 meters high x 32 meters long. Duration, 15 hours. National group exhibition «Ciudad H». Matucana 100 Cultural Center. Santiago, Chile. 2015. Work made in the context of the […]

Esto era presente. Chile, 2014-2015.

Multimedia installation based on the rearticulation of a quote by Francisco Varela (Chilean neurobiologist, philosopher and Buddhist meditator): «Death is a mirror, everything we see is the state of our mind». Aluminum letters and panaflex for reading. Measurements, 5 meters high x 11 meters long. Duration 40 days. International group exhibition «Under Pressure». Quinta Normal […]

¿Cómo no perder la memoria?. Chile, 2015.

Urban intervention, video performance, and installation developed in collaboration with Carla Romero and Jazmín Valdivia, in the context of the 42nd anniversary of the coup d’état in Chile. The project was structured through three interrelated operations. First, cracks were projected onto various buildings across the city that, during the Chilean civic-military dictatorship (1973–1989), functioned as […]

Investigaciones en torno al viento: Coliumo. Chile, 2015.

Intervention using 120 m² of orange taffeta fabric. Initiated in Coliumo (Casa Poli), the project “Investigaciones en Torno al Viento” seeks to render visible the particularity of the forms that wind traces within each territory. The intervention remained installed for seven days.   Intervención utilizando 120 m2 de tela tafetán anaranjada. En Coliumo (Casa Poli) […]

Esquecimiento. Brasil. 2013.

Installation from the text «Sometimes I forget that I’m here», using aluminum letters. Measures, 0.45 meters high x 21 meters wide. Duration, 30 days. International collective exhibition «VaiVem». SESC Pinheiros. São Paulo, Brazil. 2012. Curators, Ana Teixeira, Iara Freiberg, Kika Nicolela and Renata Padovan Instalación a partir del texto “Às vezes esqueço que estou aquí” […]

Camuflaje. Antartica, 2012.

Performance carried out in Bahía Paraíso, Antarctica, using a garment made of trans-hypora fleece fabric that moves with the wind. Variable dimensions and duration.   The action was developed within the framework of the program “Terra Australis Incognita”.https://www.elmostrador.cl/cultura/2016/07/07/la-muestra-silenciosa-donde-el-arte-contemporaneo-reflexiono-sobre-la-antartica/ . Performance realizada en Bahía Paraíso, Antártica, utilizando una vestidura de tela polar trans-hypora que se moviliza […]

Milímetro a Milímetro. Antártica, 2012.

Landscape intervention and performance. Installation of the text: «MILLIMETER BY MILLIMETER» . Snow line 60 meters long x 0.30 meters wide. Duration, variable. Isabel Riquelme Islet. Chilean Base General Bernardo O’higgins, Antarctica. 2012.   The action was carried out in the context of the program «Terra Australis Incognita».https://www.elmostrador.cl/cultura/2016/07/07/la-muestra-silenciosa-donde-el-arte-contemporaneo-reflexiono-sobre-la-antartica/ Intervención de paisaje y performance. Instalación del […]