Claudia Vásquez Gómez
visual artist

Field Writing: MONSTRUOS. Chile, 2021

Omora Park. Puerto Williams, Chile. Ephemeral writing of a quote from Charles Darwin (1809-1889): “We stopped to look for monsters under our bed, only to realize they were within ourselves.”, using edible wheat letters known as “alphabet paste”. Omora Ethnobotanical Park, founded in 2000, is a 1,000-hectare private reserve on Navarino Island. It is home […]

Field Writing: ODISEA. Chile, 2021

Omora Park. Puerto Williams, Chile. Ephemeral writing of a paraphrase elaborated by the artist from several texts by Dr. Ricardo Rozzi (1960-): “We are fellow travelers of other creatures in the odyssey of existence”, using edible wheat letters known as alphabet paste Omora Ethnobotanical Park, founded in 2000, is a 1,000-hectare private reserve on Navarino […]

Tiempo. Chengdu, China. 2020

Video performance. White Sands National              park (Nuevo Mexico, E.E.U.U.). Duración 3´ 5´´. Exhibición colectiva  internacional on line                “60 Days Lockdown”. Luxelakes • A4 Art Museum. Chengdu. Editado en el contexto de la pandemia COVID-19. Santiago, Chile.  Curadora, Cai Liyuan.  Video performance. White […]

El Plan. 08.20. Chile, 2020.

Intervention in the urban space and video. The sound emission corresponds to the shout «Traitor”, made by a member of Carabineros de Chile, at the moment that the General Director of the «General Carlos Ibáñez del Campo Carabineros de Chile School» was giving a speech in an institutional ceremony transmitted live by several media. Duration, […]

To Move. Chile, 2020.

The action was carried out in the context of the COVID 19 pandemic, during the first period of governmental authorization granted to people to travel between regions. The trip considered the journey from the central zone (Santiago) to the south of the country (Pucón), covering almost 800 kms. In the new place of settlement, the […]

Investigaciones en torno al viento: Tinquilco. Chile, 2020.

Intervention in the landscape and video. Measures, 100 square meters of taffeta fabric. Duration, variable. Lake Tinquilco. Video, 2´15´´ Intervención en el paisaje y video. Medidas, 100 metros cuadrados de tela tafetán. Duración, variable. Lago Tinquilco, Pucón. Video, 2´15´´

Formato de Texto, 2019

Site-specific installation.Text composition using black PVC (“Continúa siendo un buen” – It continues to be a good) and copper slag (“NEGOCIO” – business).Work created within the framework of the exhibition Materia Sensible, presented at CABO, IF Blanco, Recoleta, Chile, in 2019. Instalación site specificEscritura utilizando PVC negro (“Continúa siendo un buen”) y escoria de cobre […]

Omisión. Italia, 2017.

Performance. Mimetic action in front of  sculpture of symbolic men of the Italian Renaissance. Size and duration, variable. Florence, Italy. 2017. Performance. Acción mimética frente a escultura de hombres simbólicos del Renacimiento italiano. Medidas y duración, variables. Florencia, Italia. 2017.

I MISS YOU. E.E.U.U., 2016-2017.

Video Performance. Duration, 2′ 40». Chaco Canyon (New Mexico), Great Salt Lake (Utah) and Deming (New Mexico). United States of América. 2016 – 2017. The action was carried out in the context of the Land Arts of the American West Program, Texas Tech University,  United States of America, wich is directed by Chris Taylor since […]

El Paso. E.E.U.U., 2016-2017.

Video Performance made in different locations of police protection, regarding irregular migration. Duration, 5′ 42». Chiracahua Mountains (Arizona) and El Paso (Texas), United States of America. 2016-2017. EL PASO, arises from the observation of the protocol applied by the USA. Border Police in the territory. This consists of tying truck wheels to the back of […]