Field Writing: ODISEA. Puerto Williams, Chile. 2021
Omora Park. Puerto Williams, Chile. Ephemeral writing of a paraphrase elaborated by the artist from several texts by Dr. Ricardo Rozzi (1960-): “We are fellow travelers of other creatures in the odyssey of existence”, using edible wheat letters known as alphabet paste Omora Ethnobotanical Park, founded in 2000, is a 1,000-hectare reserve on Navarino Island. […]
El Plan. 08.20. Santiago, Chile. 2020
Intervention in the urban space and video. The sound emission corresponds to the shout «Traitor”, made by a member of Carabineros de Chile, at the moment that the General Director of the «General Carlos Ibáñez del Campo Carabineros de Chile School» was giving a speech in an institutional ceremony transmitted live by several media. Duration, […]
To Move. Tinquilco, Chile. 2020
The action was carried out in the context of the COVID 19 pandemic, during the first period of governmental authorization granted to people to travel between regions. The trip considered the journey from the central zone (Santiago) to the south of the country (Pucón), covering almost 800 kms. In the new place of settlement, the […]
Investigaciones en torno al viento: Tinquilco. Tinquilco, Chile. 2020
Intervention in the landscape and video. Measures, 100 square meters of taffeta fabric. Duration, variable. Lake Tinquilco. Video, 2´15´´ Intervención en el paisaje y video. Medidas, 100 metros cuadrados de tela tafetán. Duración, variable. Lago Tinquilco, Pucón. Video, 2´15´´
Formato de Texto. Santiago, Chile. 2019
Group exhibition Sensitive Matter. CABO Residency, IF Blanco.Writing intervention using black PVC (“It remains a good”) and copper slag (“BUSINESS”). Variable dimensions. Exposición colectiva Materia Sensible. CABO Residencia. IF Blanco. Escritura utilizando PVC negro (“Continúa siendo un buen”) y escoria de cobre (“NEGOCIO”). Dimensiones, variables
Tiempo. White Sands Monument, EEUU. 2016-2019
Group exhibition Luxelakes “60 Days Lockdown”, A4 Art Museum, Chengdu, China. Action of persistent displacement over a desert of sand, based on a repetitive gesture of movement that transforms the surface into a field of trace and erasure. Edited in the context of the COVID-19 pandemic in Santiago de Chile. Duration: 3´5´´. Curator, Cai Liyuan […]
Omisión. Florencia, Italia. 2017
Mimetic action performed in front of the sculptures of historical figures located on the exterior of the Uffizi Gallery. A historical ensemble with no representation of female figures. Variable dimensions and duration. Acción mimética realizada frente a las esculturas de personajes históricos ubicadas en el exterior de la Galería de los Uffizi. Un conjunto histórico […]
I MISS YOU. Utah, E.E.U.U. 2016-2017
Chaco Canyon (New Mexico), Great Salt Lake (Utah), and Deming (New Mexico), United States. Performance involving persistent movement and walking by the artist across desert landscapes, using modified footwear, while narrating the history of deaths within her family. Video performance. Duration: 2 min 40 sec. Program: “Land Arts of the American West” https://landarts.org/ Cañón […]
El Paso. Texas y New Mexico, E.E.U.U. 2016-2017
Performance. Montañas Chiricahua (Arizona) y El Paso (Texas). Action reenacting the protocol used by the United States Border Patrol in the territory, which consists of tying truck tires to the rear of their vehicles and dragging them along dirt roads in order to flatten the terrain, making it easier to detect traces […]
CAER. New Mexico, E.E.U.U., 2016-2017
Gila National Forest, Mimbres River, New Mexico. Intervention and video performance consisting of the construction of a circle and the writing of a text using pine seeds. At the end, the artist rolls over the inscribed word, progressively erasing its form. Variable dimensions. Duration, 2´56´´ Program: “Land Arts of the American West”https://landarts.org/ Bosque Nacional […]