AHORA. Chile, 2025-2026
Exhibition of land art works created between 2007–2022 Camouflage. 2012. Photographic documentation of a performance carried out at the Chilean Base Presidente Gabriel González Videla, Paradise Bay, Danco Island, Antarctica. Print on paper.99 × 67 cm. Investigaciones en Torno al Viento: Tinquilco 2021. Photographic documentation of a performance carried out at Lake Tinquilco, Huerquehue National […]
Camino a Montegrande, a propósito de Francisco Varela. Chile, 2024.
Since 2006 the artist has developed several creative pieces which have been nourished by the research of Francisco Valera G. (chilean neurobiologist, philosopher and Buddhist meditator. 1946-2001). Specifically, the notions of impermanence, memory and experience have been decisive for the material, conceptual and contextual development of his work. This project is understood as a […]
Escritura en terreno III : Mercado Vega Central. Chile, 2022.
The «Vega Central de Santiago» is one of the oldest and largest food markets in the country. The project contemplates the enhancement of the intangible oral heritage of the precinct, from the visibility of the text “After God is the Vega” which, according to what its tenants say, has been transmitted from generation to generation […]
Research about the wind : Georgetown. Guyana, 2022.
Landscape intervention with local artists and performance at the National Cultural Center. Measures, 180 square meters of taffeta fabric. Duration, variable. Georgetown, Guyana. 2022. The project – articulated in two stages – is part of the celebration of the 51st anniversary of bilateral relations between Chile and the Cooperative Republic of Guyana (GY). The first […]
Casa de Fuerza. Chile, 2022.
Humberston Saltpeter Office. Pozo Almonte. Chile. Performance using a gray silk dress. The saltpeter industry was Chile’s main economic activity between 1880 and 1930. The expansion of the saltpeter industry boosted the economy and favored an important urban, productive and public works development. Among the advances were the construction of a transportation network with railroads […]
Olvido. Chile, 2021-2022.
Intervention based on the text: “A VECES OLVIDO QUE ESTOY AQUI” «Sometimes I forget that I am here», installation of 150 palmettes of natural grass. Measurements, 2.30 meters high x 81 meters long. Duration, 120 days. Solo exhibition. Cerrillos National Center of Contemporary Art. Santiago, Chile. 2021-2022. Curator, Soledad Novoa Donoso. Intervención a partir del […]
Every travel is a travel. Rusia / Chile, 2021.
EVERY TRAVEL IS A TRAVEL. Video recording of the trans-Siberian train route between St. Petersburg – Moscow – Omsk – Moscow. Duration 4′ 9». International collective exhibition on line. Ars Electronica x art. Domains. Linz, Austria. Edited in the context of the COVID-19 pandemic. Santiago, Chile. EVERY TRAVEL IS A […]
DE CORPO PRESENTE. Brasil, 2021.
Performance in collaboration with the artist Ana Teixeira (Brazil), in the exhibition «For a breath of fury and hope: A declaration of climate emergency», MuBE – Brazilian Museum of Sculpture and Ecology. Sao Paulo. Brazil. 2021. Curated by Galciani Neves and Natalie Unterstell. Performance en colaboración con la artista Ana Teixeira (Brasil), en la […]
Investigaciones en torno al viento: Puerto Williams. Chile, 2021.
As part of a series of interventions that seek to make visible the wind in different territories, the artist chooses a location in Chile where the presence of wind is a distinctive feature. In the Region of Magallanes and Chilean Antarctica – also known as the Region of the Winds- is located Puerto Williams, the […]
Field Writing: EXPERIMENTOS. Chile, 2021.
Omora Park. Puerto Williams, Chile. Ephemeral writing of a quote from Charles Darwin (1809-1889): “I love silly experiments, that’s why I’m always doing them”, using edible wheat letters known as “alphabet paste”. Omora Ethnobotanical Park, founded in 2000, is a 1,000-hectare private reserve Navarino Island. It is home to the southernmost sub-Antarctic temperate forest in […]