Tiempo. White Sands Monument, EEUU. 2016-2019

Group exhibition Luxelakes “60 Days Lockdown”, A4 Art Museum, Chengdu, China. Action of persistent displacement over a desert of sand, based on a repetitive gesture of movement that transforms the surface into a field of trace and erasure. Edited in the context of the COVID-19 pandemic in Santiago de Chile. Duration: 3´5´´. Curator, Cai Liyuan […]
I MISS YOU. Utah, E.E.U.U. 2016-2017

Chaco Canyon (New Mexico), Great Salt Lake (Utah), and Deming (New Mexico), United States. Performance involving persistent movement and walking by the artist across desert landscapes, using modified footwear, while narrating the history of deaths within her family. Video performance. Duration: 2 min 40 sec. Program: “Land Arts of the American West” https://landarts.org/ Cañón […]
El Paso. Texas y New Mexico, E.E.U.U. 2016-2017

Performance. Montañas Chiricahua (Arizona) y El Paso (Texas). Action reenacting the protocol used by the United States Border Patrol in the territory, which consists of tying truck tires to the rear of their vehicles and dragging them along dirt roads in order to flatten the terrain, making it easier to detect traces […]
CAER. New Mexico, E.E.U.U., 2016-2017

Gila National Forest, Mimbres River, New Mexico. Intervention and video performance consisting of the construction of a circle and the writing of a text using pine seeds. At the end, the artist rolls over the inscribed word, progressively erasing its form. Variable dimensions. Duration, 2´56´´ Program: “Land Arts of the American West”https://landarts.org/ Bosque Nacional […]
Aeropuerto. New Mexico. E.E.U.U. 2016-2017

Video performance. Twin Buttes, New Mexico, United States. The site is located near White Sands Missile Range. In 1945, the first nuclear weapons test in the world was conducted in this area. Today, it remains the main testing ground in the United States for rockets, unmanned aerial vehicles, and missiles. Collection of stones from […]
MILIMETRO A MILIMETRO. Utah, E.E.U.U. 2016-2017

Landscape intervention. Antelope Island, Great Salt Lake, Utah. Writing of the text “MILLIMETER BY MILLIMETER” using a wooden stencil previously used in Antarctica (2012), repeating the same act of inscription in the territory. Dimensions, 60 x 0.30 m. Duration, variable. Program: Land Arts of the American West https://landarts.org/ Intervención en el paisaje. Antelope Island, […]
Investigaciones en torno al viento: Coliumo. Coliumo, Chile. 2015

Coliumo is located on a peninsula exposed to the Pacific Ocean, marked by wind, erosion, and sea mist. Its landscape combines cliffs, rocky shorelines, and small fishing communities. Casa Poli, designed by Pezo von Ellrichshausen, is situated on a seaside cliff and is defined by its monolithic concrete volume. In this site, the series “Investigations […]
Camuflaje. Bahia Paraíso. Antartica, 2012

Performance carried out using a trans-hypora polar fleece garment, mobilized by the action of the wind. Variable dimensions and duration. The action was developed within the framework of the “Terra Australis Incognita” program. Performance realizada con una vestidura de tela polar trans-hypora, movilizada por la acción del viento. Dimensiones y duración variables. La acción fue […]
Milímetro a Milímetro. Península Isabel Riquelme. Antártica. 2012

Landscape intervention and performance. Installation based on the text “MILLIMETER BY MILLIMETER”, using snow from the site. Dimensions: 60 × 0.30 m. Duration: variable. The action was carried out within the framework of the “Terra Australis Incognita” program. Intervención de paisaje y performance. Instalación a partir del texto MILIMETRO A MILIMETRO utilizando nieve del lugar. […]
Estoy aquí. Canales Australes, Chile. 2012.

Text intervention “I AM HERE” carried out on the flight deck of the Chilean Navy vessel AP-41 Aquiles, using 100 meters of Espiga rope, typically used for mooring the ship to land. Variable dimensions. Duration: 1 hour. The action was developed within the framework of the “Terra Australis Incognita” program. Intervención del texto ESTOY […]